Arising of Magic Realism Through Allusions to the Bible and Tragedians

Gabriel Garcia Marquezs apologue, One vitamin C Years of Solitude, is a novel often associated with antic realism. Throughout the novel, the root of magic realism is promoted through intertext examples of The Bible. Magic realism is defined as an artistic style in which magical elements or irrational scenarios place in an otherwise realistic or normal setting. The many intertextual examples end-to-end the work are alluded from outside sources such as the Bible and the tragedians of the Greeks and Romans. These allusions not only strengthen the novel, but further correlate them with the idea of magic realism. Magic realism, as defined by Wendy Faris, contains five key elements which mustiness be present for this component to ring true in a piece of literature. The first key element is the novel contains something we cannot explain fit to the laws of the universe as we have them (Faris 167). Throughout the novel, several examples which make this serving true are present. For example, when Jose Arcadia Buendias murder occurs and his blood runs through the streets to Ursulas home, Marquez writes, A trickle of blood came out under the door, crossed the nutriment room, went out into the street, continued on in a straight caper across the uneven terraces, went use up steps and climbed up curbs(Marquez 144). In reality, as readers, it is known that blood cannot travel long distances or climb objects. Remedios the sweethearts accession to Heaven is another form in which a particular scene cannot be explained by particular laws as we know them. Marquez writes Amaranta felt a mysterious trembling in the lace on her petticoats and she tried to grasp the sheet so that she would not fall down at the instant in which Remedi... ...n theme found throughout many fiction novels. According to Faris five key elements, this novel is indeed a tale of enchanting pragmatism. The novels intertextual examples developed by denotation similarities and actual e vents from the Bible and Greek mythology and tragedies are woven in the novel in such a way that the reader is oblivious to the occurrence that they truly exist. As the future scurries upon us, the theme of magic realism provide continue to flourish many novels to come. Works CitedAccess Bible, The. New York Oxford University Press, 2010. Fitzgerald, Robert. spokesperson Homer. The Iliad. Garden City, NY Anchor Press, 2007. Garcia Marquez, Gabriel. One Hundred Years of Solitude. New York harpist Perennial, 1998. Zamora, Louis Parkinson and Wendy Faris. Magical Realism Theory,History,Community. Durham Duke University Press, 1995.